Search results for " Georges"
showing 10 items of 15 documents
Gli avantesti delle opere abbandonate. Georges Perec e la disseminazione dei fantasmi del romanzo
2022
The abandoned work is a form of voluntary incompletion because the interruption of the writing process is decided by the author himself. Abandonment is preceded by considerations and traces that make the process intelligible, especially when identified in avant-textual documents in which the author often not only plans the construction of the text but also reasons about it by tracing the criticalities that condition its progress. The article aims to reflect on some aspects of Georges Perec's abandoned works, showing how these are integrated within the completed works through the processes of dissemination and proliferation.
L’anamorphose du roman : les distorsions de la perspective dans "la Disparition" de Georges Perec
2007
L’anamorphose apparaît en application aux arts plastiques et se traduit par le bouleversement du point de vue habituel. Cette distorsion visuelle, en créant le caractère énigmatique de l’œuvre, vise à la déstabilisation du spectateur qui, sollicité par les formes, participe de la pluralité de la vision et de la démultiplication des possibles interprétatifs. Cette relativité de la place du spectateur permet la migration du concept d’anamorphose au domaine littéraire et son application en tant que pratique de création ou, plutôt, de réception : L’anamorphose […] procède par une intervention des éléments et des fonctions. Au lieu d’une réduction progressive à leurs limites visibles, c’est une …
Skulls, Tree Bark, Fossils
2021
AbstractStudies of material objects in the field of memory studies have followed diverse epistemological and disciplinary trajectories, but their shared characteristic has been the questioning of philosophical assumptions concerning human relations with inanimate things and lower-level organic objects, such as plants, within the Aristotelian hierarchy of beings. Rather than accept at face value their categorizations as passive or deficient in comparison to the human subject, critical scholarship has reformulated the place and role of nonhuman entities in culture. This essay examines the nexus of materiality and memory in the work of the French philosopher and art historian Georges Didi-Hube…
Cinque piccoli saggi sulla "Carmen" di Bizet
1996
Il saggio si costituisce di cinque sezioni o capitoli che investono altrettanti aspetti della genesi e della struttura teatrale/musicale della "Carmen" di Bizet: dall'entusiasmo dell'ultimo Nietzsche per l'opera del compositore francese fino alla fonte letteraria e alla drammaturgia dello spettacolo e agli eventi legati alla prima rappresentazione e alla morte del compositore.
Edizioni, traduzioni e censure: Cicognara, i fratelli Giachetti e l’editoria artistica di inizio Ottocento
2018
This article focuses on Leopoldo Cicognara's role as an advisor of the Italian publisher Giachetti (Prato). After a brief analysis of three key publications (Cicognara's history of sculpture; Séroux d'Agincourt's history of medieval and early-modern Art; Winckelmann's history of ancient art), the authors discuss the role of censorship and its consequences for nineteenth-century art books. The documentary appendix includes a complete transcription of all reports by the Florentine censor p. Mauro Bernardini.
Leopoldo Cicognara, i fratelli Giachetti e l’editoria storico-artistica a Prato (1822-35)
2016
This article focuses on Leopoldo Cicognara's role as an editor of art-historical books printed by the publishing house Giacchetti (Prato, Italy).
Sfide della rappresentazione. I Trompe l'oeil di Georges Perec e Cuchi White
2016
L'articolo esamina le due opere curate a quattro mani dall'autore Georges Perec e dalla fotografa Cuchi white, Trompe l'oeil (1978) e L'oeil éblui (1981), come opere doppie di riflessione letteraria e fotografica sulla finzione figurativa dell'arte. Se il principio fondamentale della poetica di Perec è quello della "falsità referenziale", la fotografia di opere d'arte, e di Trompe l'oeil in particolare, non fa altro che doppiare il falso. Ne consegue una essenziale diffidenza nei confronti dell'immagine fotografica e della rappresentabilità tout court.
Burdeau Georges
2007
Entrée de dictionnaire; Dictionnaire historique des juristes français XIIe-XXe siècles
Vedel Georges
2007
Entrée de dictionnaire; Dictionnaire historique des juristes français XIIe-XXe siècles
Chardon Georges-Henri
2007
Entrée de dictionnaire; Dictionnaire historique des juristes français XIIe-XXe siècles